The Legend — Abhishek Kashyap



To tell you the truth, I wanted to write the story of my father but
it eventually took the shape of my grandfather’s story. Whether you believe it
or not, whosoever I write about from the last three generations of my family,
in the end, it will become the story of my grandfather. That is because these
three generations are a mere shadow of the persona of my grandfather.


As I told you, Dadaji as my grandfather was called, has remained a
legendary figure in the family. His rags to riches story was a result of sheer
hard work and determination. Venturing out of his modest village in North
Bihar, he reached an affluent place in Santhal Pargana—known as District
Dhanbad after independence. Suffering the pangs of hunger for several days;
doing odd jobs as a newspaper vendor; running errands at the house of a distant
relative; facing various constraints; and going through hurt and pain of all
kinds, he somehow managed to complete his education. Then, his fate took a
turn. After getting a degree in management, he became a top official in a coal
mine owned by the British. 


It is said that Dadaji built the hamlet where my father lived his
whole life and I have spent half of mine. The sprawling bungalow, in which we
lived was spread over two acres and had as many as thirty rooms. In fact, it
was specially built for Dadaji by the British coal company “Mac and Marry”.


The huge courtyard of the bungalow was famous for its daily durbar.
It played host to the bigwigs from all over the city. My father tells me that
after returning from the mine every evening, Dadaji would take a bath, spray a
generous amount of itr—perfume from Afghan or Basra, brought from
Calcutta―and donning a white, yellow or blue silk kurta-pyjama would enter the durbar in great grandeur.


The evening durbar was attended by every individual who was
affluent or had any social standing. There were coal merchants, administrative
officials, coal mines’ officials, politicians, brokers, lawyers, moneylenders
or even jesters—everybody would make it a point to pay a visit. They were,
indeed, the high and mighty in that place. Besides these bigwigs, people from
various other villages and towns who were employed by Dadaji in the coal mine,
would also often come to pay a visit. Hearing the reputation of Dadaji, many
people from remote villages of North Bihar would undertake long and arduous
journeys on foot, carrying small bags of corn flour or rice flakes, in the hope
of getting employment.


Right in the centre of the Veranda, a majestic cane chair would be
placed which looked like a throne. The ‘throne’ was surrounded by twenty to
twenty-five smaller cane chairs. Dadaji would sit on the royal seat while the
smaller chairs would be occupied by the who’s who from the town.


All these cane chairs were made by the carpenters who were specially
called from Mughal Sarai by Dadaji. It is said that the carpenter who made
Dadaji’s royal seat was rewarded with five gold coins. The image of Queen
Victoria was inscribed on them. While giving him the coins, Dadaji had warned
him, “Dare not make a similar chair for anyone else, or I will shoot you
irrespective of whether you are in Mughal Sarai or in Etowah.” The carpenter
fell at his feet and vowed that even the next seven generations from his family
won’t think of making anything similar for anyone else.


Dadaji was extremely possessive about his chair. It was an unwritten
rule that nobody except him would ever sit on it. Not even my grandmother, or
my paternal aunt or even my father. On an ill-fated morning, a newly recruited
young officer came to our bungalow to seek Dadaji’s blessings. He didn’t know
the law of the land. He casually sat down on Dadaji’s royal seat while waiting.
When the Gurkha watchman saw this sight, he shuddered thinking about the impending
catastrophe. By the time he could reach the veranda and warn him about Dadaji’s
wrath, it was already too late. Dadaji had already dreassed and reached the
veranda. When he saw the young man, his eyes blazed with anger and there was a
stern look on his face. At once, he unleashed his leather belt and kept on
lashing the poor man till he fell unconscious. Later, when he came to his
senses, he was told about his terrible mistake. He fell at Dadaji’s feet and
apologised profusely.  Dadaji pardoned
him and offered him sweets and badam sherbet, a cool drink made
with almonds
. Since then, the officer became a devout disciple of my
grandfather. The story spread like wildfire and no one ever dared to sit again
on Dadaji’s chair. 


Like all the other rooms in the bungalow, the veranda was also lined
with a red carpet across the floor. The carpet was a gift to Dadaji by Mac
Sahib who had bought it from district Bhadohi in Uttar Pradesh. All the people
who were employed under Dadaji, and were his trusted lieutenants, recieved the
privilege of sitting on the carpet. They were always ready to act instantly on
his commands. All those people who had 
left their villages, travelling hundreds of miles on foot, hoping to get
some favour or odd jobs from Dadaji would sit outside the veranda, on a bare


Ramashish Kaka, a native who had been hired by Dadaji, once told me,
“the age of sahib was altogether different. How good were those days, alas!
Those days will never come back.” Kaka lamented the bygone era. Whoever came to
Dadaji for a job was asked only one question, “Do you know how to wield a
stick?” If the answer was ‘yes’, the applicant would be immediately hired to
work in the coal mines.


In the evening, Dadaji would spend a long time sitting in the durbar
and deliberate till late night upon events happening in nearby villages, the
nation and even the world. Bahadur, Sona Ram, Jang Bahadur, and Kisna would
promptly run from the veranda to the courtyard serving snacks and sherbet.
Dadaji was appointed on a high post in ‘Mac & Mary’ in the same year in
which my bua (paternal aunt) was
born. Five years later, my father was born. Usha, my bua, was considered
lucky by her father. Out of the six cars in his fleet, three cars, red, blue
and white in colour, were bua’s choice.


She had furnished the bungalow and it was ensured that everything
bought was according to her taste. This include things all and sundry like the
gramophone, the refrigerator, the large metal flower vase, the deer-antlers,
the silver pen stand, Monalisa’s life-size portrait, carved teak tables, the
recliners, and even the king-size bed. Everything had bua’s stamp of approval.


Just like bua was lucky for Dadaji, he was lucky for his
boss, Mac Sahib. From the day he took charge, Mac Sahib’s business started
growing by leaps and bounds. Due to his persona and leadership, Dadaji was
given charge of all the mines situated in the eastern region. As long as Dadaji
remained in charge, there were no strikes, or any trade union protests. His
influence grew in the prosperous district of Santhal Pargana known for its
forest tribes.

Mac Sahib lived with his mem Mary in Calcutta, but also owned
a sprawling bungalow in the town which later came to be known as Dhanbad. He
would come there with his mem to stay for a few days, at least once
every fortnight or month. 


Whenever Mac Sahib came to Dhanbad, Dadaji would adjourn his durbar
for a few daysand go punctually to his English boss’s mansion in his red car.
Dadi told us that mem Mary was an extraordinary beauty. Picture perfect!
Her complexion was so fair that it looked like a divine miracle or a great
mystery. She had deep blue eyes, as beautiful as those of the fairies. Many
were stunned to see her breathtaking beauty. When she opened her lips, such
sweet melody would flow as if the air had become fragrant with fresh blossoms.
Her laughter resembled the sound of a flowing cascade. Her body emanated such a
magical aura that her presence intoxicated everyone. It was difficult to deicde
if she was a goddess descending from the heavens or someone from fairy land.


One day, she came to our bungalow to meet Dadi. Clad in a sleeveless
white T-shirt and a blue skirt, she looked like a fairytale princes. She gifted
my grandmother a gold perfume box which was especially imported from England.
While she was leaving, Mary hugged my Dadi as Indians do. As they embraced,
Dadi felt as if she was hugging a soft rabbit. Dadi could still feel and
remember that magical fragrance even when she had grown terribly old. 

Just when mem Marry was saying goodbye to Dadi, Dada ji
clicked her photograph with mem Mary with a camera that Mac Sahib had
gifted him on his birthday. The picture is still in the album in my mother’s


I was a die-hard fan of the pop diva, Britney Spears. A large
picture of Britney adorned the walls of my study. Dressed in a spotless white
T-shirt and blue jeans, blue-eyed Britney looked so beautiful beyond
imagination. To me, she was an epitome of beauty and love even in a picture.


I had marked the bottom of the poster with, “The Most Beautiful
Woman in the World” with dadaji’s vintage Parker pen. But when I saw the black
and white photograph of the 50-year-old black-and-white Mem Mary, clicked by
Dadaji in 1932, I was stunned. Unbelievable!

Colouring over Dadaji’s memories, I filled blue colour over Mary’s
skirt in the black and white photograph. I could also feel the old magical
fragrance of Mem Mary.

I struck off the remark, “The Most Beautiful Woman in the World”
using the same Parker pen. Dadiji usually avoided talking about Mary. Whenever mem
Mary’s name was mentioned, her face reflected strange anxiety and pain. Some
say that Dadi had felt Mary’s fatal magical fragrance emanating from Dadaji’s


Whenever Dadaji used to meet Mac Sahib in his mansion, he returned
very late at night and in a drunken state. Without talking to anyone, he would
quietly disappear into his room. Later, Dadaj would spend the entire night
drinking the English wine gifted to him by Mac Sahib and listening to an old
English song on his gramophone. It was the popular song ‘For God’s Sake Hold
Your Tongue & Let Me Love.’ It was all the rage in Britain then.


Mac Sahib often gifted Dadaji British watches, suits, ties,
bracelets, Parker pens, perfumes and much more. Dadaji would keep all those
gifts carefully in a teak cupboard.


Rumour mills were abuzz that it was not Mac Sahib but mem Mary
who had given him all those gifts. Dadaji’s half-brother, Jagannath Prasad
Singh, had spread these rumours about his alleged affair with Mary. He claimed
to have seen Dadaji and Mary in an intimate position at her mansion. In a fit
of rage, my father, despite being young, had showered filthy abuses on his
step-uncle Jagannath.


But Dadi neither broke her silence on such rumours, nor did she ever
care to listen to such anecdotes about her husband. I remember that my mother
had told me that Dadi didn’t speak kindly to Dadaji for as long as a month when
he returned home after spending an entire week with Mac Sahib and Mary in


It continued to be a mystery for the rumour mongers and those who
vehemently denied such rumours alike. Also, if Dadaji was really having an
affair with Mary, why did Mac Sahib find him so affable?


Another rumour started doing the rounds that Dadaji was the
biological father of Mac Sahib’s only child. His face, his eyes, his nose,
everything had a striking resemblance with my grandfather. It was nothing more
than a cooked-up story.


Michael was born exactly five years after Dadaji had joined Mac
& Mary firm. He was born in Calcutta. Mary had visited Dhanbad only once or
twice during the interim. Michael visited our town with his mother only once
when he was five or six years old. After that he neither returned to Calcutta
nor to out town. He was enrolled in a British school in Delhi and after
completing his education from Delhi’s British School, he obtained a degree in
business management from Oxford University. When he returned to India, our
country had gained independence; Mac Sahib had sold his mines to an Indian coal
firm; and returned to England, leaving all his property to his only son.


Michael started a textile mill in Mumbai. Later, he set up a
multinational company with diverse interests in automobiles, petrochemicals,
telecom, and information technology. Today, he is counted among the most
influential businessmen in the world.


When I got to know about Mac Sahib, I was a student of sixth grade
in a government school which was situated in the same region which also had the
coal mines owned by Mac Sahib. The place was, in fact, inhabited by the workers
who came from different place in search of employment. My Hindi teacher
Janardhan Jha once dictated an essay on the country’s freedom struggle, “On
August 15, 1947 our country gained independence and the British returned to
England.” After coming to know about Michael, I removed the sentence ‘The
British returned to England’ and added a question mark at the end of the
opening line ‘Our country gained independence?’


I was shocked to see Michael when he was invited for a TV interview
during a fashion show in New York. Dadaji’s image came to my mind. Michael had
the same eyes, nose and thin lips! Later, I tried to convince myself, that
maybe Dadaji and Mac Sahib looked similar but therein lay the problem. I have
seen the picture of Mary with Dadiji. The very one which forced me to strike
off ‘the most beautiful woman’ tag from Britney’s picture. But nobody has seen
any picture of Mac Sahib. This was my dilemma. There is not much difference
between fact and fiction. And whatever difference there might be, it would be
difficult to unravel.


“Was Dadaji really in love with Mary?” this was my dilemma as I went
to the ‘trash quarter’ (this used to be the servant’s quarter in Dadaji’s time)
to dispose off old newspapers. I stumbled upon some of Dadaji’s old books in a
neglected wooden cupboard. While sifting through the books, I found an old
English pocket book. It was the American poet Walt Whitman’s anthology, Leaves
of Grass
. As I opened the first page, I found something written in Dadaji’s
beautiful handwriting, “Madam Mary, from the epitome of love”. I restlessly
began to flip through the book until I reached the last page which read “Madam
Mary, love incarnate”.


My joy knew no bounds. It felt as if I had found a treasure, only to
find myself in a state of shock the very next moment. How can a tough man like
Dadaji fall in love? I was unable to differentiate between fact and fiction.


The evening when I told Dadiji about the remarks in the book, she was
silent for some time but soon burst into tears.


No one, including my father would have believed what Dadi said that
day. She said that Dadaji used to drink a lot and listen to English songs on
his gramophone after returning from Mac Sahib’s mansion. She had often also
seen him crying helplessly like a child. Many a times, he would talk endlessly
to Bua about Mac Sahib and Mary but she never disclosed their
conversations with anyone, not even Dadi. Neither I nor my mother had seen Bua.
This was because when my father married, Dadaji and Bua had already passed away. My father and Dadi told us often that Bua
was very graceful and judicious since her childhood.


Bua had passed away at the young age of
fifteen after battling a mysterious illness. Father said that the blood of the
person, suffering from that illness, changes into water. Dadaji left no stone
unturned to save his daughter. He even spoke to Mac Sahib and took her to
England for traetment. Alas! She didn’t survive.


Dadaji was shattered after Bua’s death. It is said that
irrespective of whether she was in Calcutta, Dhanbad oe in her homeland, Mem Mary used to call him every day to
console him.


The durbar was adjourned for several months after Bua’s
death. It was quite possible that at that time, even if someone sat on his
chair, Dadaji wouldn’t have minded. But such was his terror that even after his
death, no one ever dared to take the seat. Later, one of the legs of that chair
was broken but instead of repairing it, my father dumped it in the trash room.
Within a year after Bua’s death, Mary too died in a plane crash while
returning from England. When Mac Sahib informed Dadaji about the shocking news,
the latter disconnected the call without a word. He neither spoke nor ate,
eventually falling seriously ill.


Dadaji wanted to quit his job, but he had to change his decision
after being coaxed and persuaded by Mac Sahib. Coal production in eastern coal
mines had declined substabtially due to his absence.


Dadaji was an iconic figure and there are several stories
surrounding his death. Some say that he had consumed so much of opium that he
couldn’t smell the gas leak. Bhuvneshwar Ravani, the mine overman, claims that
Dadaji tried his best to run out to save his life after the gas leak but
couldn’t do so because a heavy trolley blocked his way. Another theory doing
the rounds among his junior officers is that Dadaji was intoxicated on
expensive scotch and so lost in an English song that he couldn’t detect the gas
leak. A.K. Singh made a startling claim that at the time of his death, Dadaji
was singing a popular English song which was all the rage among the British.
The song was “For God’s Sake Hold Your Tongue & Let Me Love”.


Bua, Mary and Dadaji died in successive
years but on the same date―August 15.


After Dadaji’s death, the mines in the eastern belt suffered huge
losses. Mac Sahib sold them to an Indian company KCT and handed over the reins
of his other businesses to Michael who had returned to India after completing
his education.


Since then, nobody has heard about Mac Sahib. Only his son Michael
knows whether he is still alive.  Michael
is a renowned industrialist in the country. Whichever party comes into power
either in the Centre or the State, the actual power lies with Michael. Another
story claims that Michael literally rules over almost every third world country
in the world.


But I don’t have any access to the person controlling India and the
entire Third World region. Otherwise I could have asked him where Mac Sahib is;
whether he is still alive. It is said that people don’t lie on their death bed.
Before she took her last breath in 2004, Dadi had said, “Sahib (Dadaji), Usha (Bua)
and Mary have died but Mac Sahib is still alive”.

Should we call it fact or fiction?

This is actually Mac Sahib’s story, not my grandfather’s.


Translated in English by Asmat Jahan and Aryan Prakash


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