The Dogs of Ajitgarh
(The Mutiny Memorial, the gothic tower built in Delhi to commemorate the 3000-odd English officers and men who were killed in suppressing the rebellion known as theFirst War of Independence of 1857, killing hundreds of thousands of the residents of the city and the rebel soldiers, stands a few metres uphill along the Ridge Road from the Hindu Rao Hospital (formerly Fraser House).
This is also the spot where Timur encamped and oversaw the slaughter of more than 100000 Delhiites over three days and nights in 1399. Fraser House which served as the command centre connected to the slaughter of several hundreds of thousands of Delhiites in two episodes five centuries apartalso feature in persistent ghost stories narrated by famed local raconteurs. The Mutiny Memorial was renamed Ajitgarh or the ‘Site of the Unvanquished’ by the Central Government on the 25th anniversary of Indian Independence in 1972, and a new plaque was installed, describing the ‘enemy’ mentioned in the original inscription by the British at the site, as ‘the freedom fighters and martyrs of India who fought bravely against the repressive colonial rule in the First War of Independence.’ I, along with my daughter and my niece, visited Ajitgarh and other nearby monuments in July 2016. The visit inspired the poem.)Crushing
a rebellion is the bounden duty of all power-centres.
Over
the blood of the warriors of
The
first War of Independence, was built
This
Mutiny Memorial to celebrate the Company’s dead.
A
mid-July afternoon. Post-lunch inertia-ridden
We
trundle up the Ridge Road. The air
Dripping
humid beneath the thick-summer green;
We
swim up, breathing through our mouths.
Climbing
up the base, we hardly make a round on the plinth,
When
deep growls from the dark recess stop us.
Several
pairs of glowing eyes flash. The first one stalks out
Menacingly,
blocking our path, followed by another,
Then
another, a couple more, in a convex arc formation:
Loath
to brook history’s twist—Ajitgarh.
Sarmad Shaheed
(Recently
I revisited the Juma Masjid area and Ballimaran, which inspired two poems. The
first one is on the Martyr Sarmad who was executed by the Emperor Aurangazeb)
The
king is naked, cried the innocent child.
Power
is naked, the unsheathed sword.
Truth
is naked too. Innocence can see it.
The
two often clash in battle, sparks flying.
Sticking
to nudity is the ultimate truth-speaking.
That’s
what Sarmad did--the absolute unconformity,
Outside
the frames of the established.
If
Mansūr Al Hallāj declared ‘I am the Truth’ chanting Ana’l Haqq,
Sarmad
did something similar, saying only the La
Ilāha part of the kalimah
Leaving
out illā-llāh, perhaps implying
‘There’s
no God outside, but within oneself.’
Dazed
by the unravelling, Aurangzeb had him beheaded
Outside
the Eastern Gate of the Juma Masjid
Where
the headless Sarmad danced on the steps
Carrying
his head in his hands, before giving up the ghost,
As
the legend goes.
Standing
on the very steps, I frame a picture of his Red Dargah below
With
the Quila-e Mualla, -- or, the Exalted Fortress which was eventually reduced to
The
simple Lal Quila to suit the latter-day reality of total decrepitude--
Looming
in the skyline behind.
Ghalib’s Haveli in Ballimaran Road
In
spite of being in Delhi for the last 22 years, I was visiting Ghalib’s Haveli
on Ballimaran Road, off Chandni Chowk, for the first time.
The
timeless poet shares his home now
With
a shop—never mind, faring better than many
Of
Delhi’s beloved bards who upheld
The
Ganga-Jamuni tehzeeb,
And
yet have left no earthly trace.
One
can only gaze around at the relics of his life
With
a lump rising to one’s throat.
Such
exalted conceits, word-craft, humour;
Unbending
sense of honour bruised by
History’s
nasty turns. Perpetually in debt
Yet
never perturbed in his angelic self.
Homeless,
ever roaming in spirit, he’d have little value
For
a majestic dwelling place like this.
He’d
even forgive the garish facelift given
To
his long-lived-in, one-time quarters.
He
knows these, and the countless tomes churned out about him,
Are
well-meaning attempts to keep his memory alive. He’d even forgive
This,
my lame verse in his name.
